Booze Muse

The art and craft of liquid inspiration

Tastings: Three Olives Root Beer Vodka

Tastes of What's to Come, Vodka No Comments »

The Product: Three Olives Root Beer

The Premise: Vodka and root beer—the kids (?) are sure to love it! A perfect choice for the Fourth of July: vodka imported from England meets a sweet beverage invented in Philadelphia. The pursuit of happiness, yes!

The Tasters and their Qualifications:
Reilly, Tom, Jerad, Jan, Brian—total of 52 years of legal drinking.

The Packaging: In a realm where product design reigns supreme (vodka is, after all, by definition flavorless, colorless and odorless, Three Olives might have the very worst logo of all. And the use of typography gives us a premature hangover. That being said, we kind of like the way the root beer mugs on the back of the bottle show through the vodka and the bottle front—the kids are sure to love it!

Tasters rated the following on a scale of 1-10, with 1 being “I wouldn’t take it if it was free” and 10 being “I’m heading to the liquor store right now to get my own!”

The Nose: 8.6, smells like root-beer-barrel candy

The Taste: 5, somewhat bitter, a bit of root beer

The Recipe (wherein we mix up a drink from the company’s Web site):

Brotherly Love: 2 oz. Three Olives Root Beer Vodka, 4 oz. lemon-lime soda. Mix in a glass filled with ice and garnish with a lime wedge. (We substituted a lemon wedge.)

5.2 The Sprite flavor overwhelms the root beer.

The Overall Verdict: The consensus of our expert panel (remember, 52 years of cumulative cocktailing!) seems to be, “nothing special.” Not harmless, but little more than a novelty. True to its medium, its popularity increases as the quantity consumed is increased. (One panelist wrote, “it’s magical!”)

Hangin’ with Mr. Cooper: Molding the Perfect Mezcal

Spirits Just Sound Happy, Don't They?, Tequila/Mezcal No Comments »

By Michael Nagrant

If Jose Cuervo is the patron saint of bad judgment and horrid hangovers, then Ron Cooper, purveyor of Del Maguey Mezcal, is the angel of discretion and good taste. Though sometimes his is a case of “Do as say, not as I do.” On the morning I interview Cooper, he chain-smokes and squints in the morning light falling over Oak Street near the Newberry Library, his eyes rimmed by puffy bags. As a spirits professional, Cooper has no shortage of drinking buddies, and a few of them kept him out late after a tasting at Binny’s South Loop the night before.

Cooper grew up in Southern California taking family vacations to Tijuana and Mazatlan where he fell in love with Mexican culture. He says, “You go to Mexico, look in someone’s eyes, and you see two thousand years of culture looking back at you.” And so he kept coming back.

In 1964 he visited a cantina in Ensenada with fellow art students to celebrate and got drunk on really bad Mezcal. He says, “I was the guy waiting for the worm to come down, getting wrecked, and the next day crawling back to recuperate.”

In 1970 after a group-art-show opening in LA, he drank a bottle of Herradura Blanco with his dealer and some artists. Someone asked whether the Pan-American highway really existed, so Cooper and another guy got into a car and drove down through Mexico to find out, stopping in Oaxaca, where they found a village of Zapotec indian weavers.

By 1990, after a few big art commissions, he’d made some “fuck you” money and could do anything he wanted. He’d thought about traveling to Asia, but a voice in his head said, “You gotta go back to Oaxaca.” A weaver friend from the trip in the Seventies set him up with a place, and he went back for a three-month stint. One of his art projects was to create an edition of fifty hand-blown glass bottles based on a shape that celebrated the Zapotec god of supreme intoxication.

Cooper planned on filling the bottles with the best Mezcal he could find, so every third day, he’d head out asking people he came across, “Donde esta el major,” or “What’s the best?” He didn’t even have to specify “Mezcal.” They just pointed the way. He’d walk for hours on dirt roads until he found big stone-grinding wheels used to crush roasted agave or “maguey” to make a mash which is eventually distilled into Mezcal or Tequila.

All Tequila is Mezcal. Not all Mezcal is Tequila. Tequila is a legal government designation that characterizes Mezcal made from blue agave in specific geographic regions. It’s similar to how sparkling wine made outside of the Champagne region of France legally can’t be called Champagne.

When Cooper saw those grinding wheels, he’d seek out the distiller and fill empty Coke bottles with their Mezcal and bring it back to his village. Cooper would sit down with his weaver buddies, chow down on Chapulines, or grasshoppers, and drink his newfound bounty.

His friends were blown away. He wanted to make sure he had a good supply for personal use, but found you couldn’t export bulk Mezcal to the United States. It had to be bottled at origin. Out of self-interest, Cooper applied for an importer’s license and started sending his discoveries to the U.S. and his company Del Maguey was born.

He currently offers seven different Mezcals, which come from five different Mexican villages. The Mezcals are all made according to 400-year-old traditions using village water and the heart of the maguey plant. The hearts are roasted over hot stones in a pit in the ground for three to five days. This process caramelizes the plant, adding flavor. The hearts are then ground to a mash using stone mills, fermented in wooden vats and distilled twice in clay or copper stills.

The distinctive taste of each Del Maguey Mezcal is derived from the variety of agave plant used and the micro-climate, soil, water supply and wild yeasts of the villages where each Mezcal is created. Cooper says that each Mezcal also reflects its distiller. For example, the guy who makes Cooper’s Chichicapa Mezcal is brash and confident, and his version runs very aromatic and hot on the palate.

Even the Del Maguey bottles are works of art, featuring labels based on original watercolors from New Mexico based artist Ken Price. The bottles are hand-dipped in purified bee’s wax and are wreathed in hand-woven palm-fiber baskets made by Oaxacan women.

Del Maguey Mezcal tastes as good as it looks. Keep the shooters in the back of the cupboard, as it’s so smooth you can sip it neat or on the rocks like a high-end whiskey. Because they’re so meticulously crafted, most of the Mezcals are priced around $64.99 at Sam’s and Binny’s. Adam Seger has Del Maguey at the Nacional 27 bar if you want to sample first. Although, you can rest assured that you aren’t buying marketing as you would with a hyped vodka. There’s nothing else like these Mezcals on the market, and the price is truly a reflection of the taste.

Green Booze

Spirits Just Sound Happy, Don't They?, Vodka No Comments »

Be green this year while you’re being blue. The Whiskey Blue trio of bar lounges is taking the 2007 Environmental Pledge to make Chicago the greenest city this Earth Month by asking their patrons to partake in a courageous eco-conscious feat: the consumption of a refreshing alcoholic libation. Whiskey Blue, Whiskey Sky and Mexx Kitchen at the Whiskey will plant a tree—er, actually environmental advocacy group Live It Green will—with every purchase of their “TreeTini” cocktail, a martini made with vodka, Cointreau and a twist of basil. “It’s a very cool, easy way to kind of do something in an eco-friendly way to help the environment, and the effect is really remarkable,” says Whiskey Blue bar manager Grant Gedemer. The swanky W Hotel bars Whiskey Blue and Whiskey Sky and the newly revamped Latin food-inspired Mexx Kitchen at the Sutton Place Hotel will be offering this “green” cocktail throughout April. Gedemer, a longtime recycler, is very excited. “It’s very difficult for a bar manager to find ways to help the environment,” he says. “It’s the first time I’ve been able to combine what I do for a living with one of my passions.”

Sand on the Brain: The spirits of the season

Bars of Summer, Spirits Just Sound Happy, Don't They? No Comments »

By Brian Hieggelke

 

My imaginary summer postcard always features a beach and a beverage. No other season elicits such a flight of fancy, perhaps because no other season interests me much; all are just time’s obstacles to summer.

I honestly have no idea where this comes from; perhaps it’s my family’s Nordic origins run amok. I only know it’s been there as long as I can remember, and I’m too old to blame it on “The OC.” In college at the University of Chicago, my pals and I equated future success not so much with career accomplishment but with time spent on the beach, always with a cocktail, of course. Too many tales of related carnage take up space on my brain’s hard drive, whether it’s the time one guy got laid on a backyard beach we constructed for an island party, or another when dozens of us got our rights read to us by park rangers in Indiana where we’d been having an apparently illegal beach party before we were thrown out of the state. They kept our beer.

My roommate and I spent far too much time each spring waiting for beach weather. At the first sign of sunshine, we’d conspire to skip Friday classes and head to the heathen wonder of Oak Street Beach, which was then what North Avenue Beach is now. One such time, we actually went through with plans and headed north, making a pit stop to buy a bottle of Night Train for the day’s libation. The Night Train came through but the weather did not so we headed to Evanston to bother a friend of mine at Northwestern, where we somehow locked ourselves in a courtyard in the engineering building. Endless summer, postponed again.

Over the last decade, a couple of beachfront establishments have opened in Chicago tailor-made for people like me. Castaways, the bar on top of the boat-shaped beach house at North Avenue Beach, is the perfect mate for the beach it serves: packed body-to-body with the young and barely dressed throwing back beers sold in tubs while live cover bands soundtrack the sand with hits from a classic-rock songbook. The bar’s north side offers a somewhat more laidback experience with tables and food, which I’ve eaten, I think. Down on the beach, bodies line up towel to towel, except for the exhibitionistic jocks working out at the beachside gym or holding court at one of the precious volleyball nets. The whole thing is “MTV Spring Break” come to life, and when you’re in the mood for that—and who isn’t always in the mood for that?—Castaways and NAB won’t let you down.

South six blocks or so, Oak Street Beachstro serves food and cocktails in a spectacular setting on a lively but much mellower beach. Kick back in a chaise in the lounge and sip on an ice-cold beer, with the lake just yards away. You’ll swear you see palm trees. (Actually, they do have palm trees, mounted in sturdy giant wooden pots.) Food holds up well at the Beachstro, with seafood, grilled sandwiches, appetizers and salads that generally uphold the light touch the setting demands. But the frozen cocktails are the real showstoppers, including pina coladas, vodka lemonades and fruity daiquiris. Time passes pleasantly at the Beachstro where you’ll be reminded favorably of an oceanfront restaurant in Southern California.

Many years and many sunburns later, I’m still chasing the dream. I still don’t understand why, but I’ve gotten better at catching it, once in a while. Meanwhile, pass me a Mai Tai.

 

Castaways Bar & Grill, on the beach at 1603 North Lake Shore Drive, (773)281-1200;  Oak Street Beachstro, on the beach at 1000 North Lake Shore Drive, (312)915-4100.